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Posts Tagged ‘advent’

We reach a point every December where I wake up with carols in my head: ribbons of lyrics old and new, lines I’ve known since I was a little girl and lines I’ve learned only in the last few years. They wind and stretch and run through my days, an undercurrent of magic and anticipation, a soundtrack to this time of year I have always loved.

This year, for the fourth time, I’ve been singing with friends in a local carol choir: a handful of us holding black and white binders, filled with songs we already knew (The First Noel, Silent Night) and unfamiliar tunes (Dadme Albricias, O Jesulein Suss, Break Forth O Beauteous Heavenly Light). Just to keep it interesting, Peter always throws in a remix or two of carols we think we know – this year it’s The Holly and The Ivy, with syncopation where we didn’t expect it, and a slightly different version of Ding Dong Merrily on High (still with those Glorias).

There is much laughter, and a lot of wrong notes, and at least a moment or two where we all despair of ever getting it right. But every year, a couple of weeks before our performance, it somehow starts to come together. The phrases begin to make sense, and the chords coalesce into something beautiful. It starts to sound less like we’re stumbling our way through, and for a moment – as my choral director used to say – we actually make music together.

The Christmas music is coming in from all sides, these days. There are Spotify mixes on my morning runs or mellow evenings with my partner, and carols by our Sprouts at ZUMIX, and blaring pop renditions in every store or business I walk into. It’s impossible to escape it – but mostly I am happy to soak it in.

I also wake up, some mornings, with the songs of Christmas past: the youth choir singing verse after verse of Do You Hear What I Hear, led ably by George, our beloved music minister. My dad’s friends Buddy and Clay, singing O Holy Night in a church sanctuary in Dallas, thirty years ago. The Magnificat and other a cappella carols at Brookline and at Highland, those churches that were both once mine. And so many memories of Christmas Eve services with my parents, filled with classics like O Come All Ye Faithful and Silent Night.

Last night, my guy and I went to the Harvard carol service, arriving – to our surprise – during the season’s first snow. We sat in a dark wooden pew in the chapel where I used to go to Morning Prayers, and sang our hearts out: Adeste Fideles and Lo, How a Rose; Hark the Herald and Angels We Have Heard on High. It felt nourishing to be there, among poinsettias and candlelight, to wave at a few Harvard friends and see new faces in the pews. To hear again the words that have framed this season all my life: for unto you is born this day in the city of David a Savior. My soul magnifies the Lord. You will find the babe wrapped in swaddling clothes. Glory to God in the highest.

The music of the season is indelible for me; it expresses the wonder and joy through familiar melodies and the lyrics I have loved all my life. I’m grateful – through so much loss and change – that the songs have endured, and that I get to sing them in community, and take my annual turn at trilling the Glorias. This season is full of bustle and swing, but it also calls us back to awe and wonder, and these songs help steady me as I prepare to celebrate.

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It seems to start earlier every year: the full-on blitz of evergreens, candy-cane decorations, tinsel and twinkle lights. Red cups at Starbucks, Santa hats all over the place, peppermint-flavored everything…the list goes on.

I’m here for the twinkle lights and the peppermint treats – and y’all know I love Christmas music and movies. But for the last several years, I’ve been edging into the season: tiptoeing, observing tiny rituals, looking for the light. It feels like too much to turn the Christmas-ness up full blast in mid-November, if I want to actually enjoy it. As Father Tim once observed, it feels like “hitting, and holding, high C” for weeks on end. As a singer, I know that is both screechy and impossible.

This year, I am taking the season in small doses: putting up my two trees, both of them festooned with lights, but not rushing to hang the ornaments. I’m taping Christmas cards around my door frame, wearing the tiny raccoon-holding-a-holly-sprig pin that was my mother’s in the ’90s. I’m listening to Christmas music when I feel like it (Sara Groves, Kate Rusby, the Indigo Girls, Vince Guaraldi), and turning it off when I’ve had enough.

I’ve been rehearsing for our annual neighborhood carol service with friends, trying to hear how the phrases should sound, relaxing into the familiarity of “Silent Night” and “The First Noel.” The music is still creaky, but it will come together. We will probably miss a cue or two, stumble over words in an unfamiliar language. And we will also create chords of beauty and longing, both from carols we know and pieces we have only learned this year.

“The light shines in the darkness,” we are told, and we hear it often this time of year. But living in the Northeast reminds me that the darkness is necessary, too. I can savor the fiery sunsets and crisp moonlit nights, while also appreciating the longer evenings. The light and the darkness need one another; neither one can exist alone.

This truth is harder to accept on an emotional level; I’d rather skip over the grief that comes up this time of year, and focus on the joy. But I know I can’t do that. Ignoring the sadness will only make it worse. Naming it, and leaning into the music and rituals that make room for complexity, is vital if I want to live honestly in – and enjoy – this season.

I do miss some of the Advent rituals of my old life: greening the church on a Saturday morning, gathering with friends I don’t see anymore, singing “O Come O Come Emmanuel” in a community that is no longer mine. There is brokenness and longing in these memories, and also joy: those rituals nourished me, for a time, and now I have to find new rituals to carry me through.

As is so often the case, there’s a metaphor here. Advent is about what happens when the old ways don’t work anymore. It is a sudden interruption, a dramatic entrance, into a world that is desperate for all things to be made new. It is making sense of the light and the darkness – or, failing that, accepting the presence of both in this world.

How are you savoring the season this year? I’d love to hear.

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lamont quad light sky

Last week, I went to see Wakanda Forever with my guy. I’m still a Marvel novice (he’s an avid, longtime fan), and I’d avoided spoilers, wanting to come in with fresh eyes. It was gorgeous and impressive: the fight scenes alone were visually amazing. But the plot – although I knew it began with grief – was way heavier than I expected.

There was a lot of death and vengeance, I said to a friend afterward, debriefing the movie (and my reaction to it) while trying not to give the plot away.

Nothing says Advent like death and vengeance! she joked. Taxes, Herod, etc. And though I laughed, her words kept coming back to me all week.

The Marvel universe is, of course, not explicitly Christian: it has dozens of deities, who often out-human the humans in their capricious plotting and scheming. But both narratives – Black Panther and Advent – are, on some level, about what happens when humans pursue power at the cost of oppressing others. There is chaos and darkness, and a lot of yearning for things to be made new, in both Wakanda’s world and ours.

The villains wear different faces, perhaps. Herod is a shadowy figure to most of us, though he was infamous in his day for cruelty and paranoia (and, of course, taxation). The villains in Wakanda Forever are the colonizers: white Europeans who, in that world and this, have seized land and resources for themselves, with little thought to the impacts on native peoples, or any claim those same peoples might have to the land they have inhabited for centuries.

I admit it is uncomfortable – and necessary – to watch movies where people who look like me are the antagonists. It also makes me think, every time, of what Galadriel says at the beginning of the Fellowship of the Ring film: she’s talking about the rings designed for the kings of men, “who, above all else, desire power.”

If power (often via control of valuable resources) is the goal, then governments and rulers will stop at nothing to secure it. Even for those who primarily want to protect their people and homeland, power can be a seductive – and blinding – distraction. Several of the characters in Wakanda Forever get sidetracked by its lure, nearly launching the entire world into a blistering full-scale war.

There is (isn’t there always?) another way, which is the message of Advent: the quiet, messy, upside-down approach of mercy, the confounding way that hope and scrappy underdogs often sneak in to save the day. There is a way, even among warring nations, to choose peace and justice over iron-fist control, even when that justice comes at a heavy price. In Wakanda Forever, we watch several characters grapple with this choice – even as the consequences of others’ choices bring heavy losses and deep pain.

Neither narrative wraps up neatly: the movie ends, of course, and Christmas does come, but neither erases the pain that came before it. Neither ending can entirely negate the realities of oppression and power-seeking, and the losses that cannot be recovered. Death and darkness are real, and sometimes they threaten to overwhelm the light.

And yet: we wouldn’t keep watching superhero movies, or observing Advent, if we didn’t believe the light would triumph somehow. We would turn away from these stories altogether if we didn’t believe – or hope – the light could break through.

We keep telling these stories, trying to make sense of our pain, trying to turn toward mercy and justice and new life, even when the grief is a heavy weight, even when the darkness covers the earth. We believe, somehow, that the light is coming, that redemption is possible, that death and darkness are not the end.

In this season of deep darkness and stubborn light, I’ll keep clinging to that belief – whether via the essays in my Advent book or, unexpectedly, on a journey to Wakanda.

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Last Monday, I threw on my green coat over my pajamas and went out for a walk instead of my usual morning run. My running coach and many other wise people remind me regularly that rest days are important, and I also know I always feel better when I move.

I walked down the hill under grey misty skies, past the community garden with tidy beds mostly dug up for winter. There are a few roses, ragged and papery but still bright red, clinging to a bush up against the fence. I love them in all seasons, but this year I am particularly taken by the fact that they’re hanging on in the face of frosts and bitter winds.

Although I’d forgotten my headphones, I found The Civil Wars’ version of “O Come O Come Emmanuel” and played it on repeat as I walked through the park. Every year there’s at least one morning in December when I listen to it over and over again, the haunting harmonies melding perfectly with the lyrics and their longing: O come, Thou Dayspring, come and cheer our spirits by Thine advent here. O come, Thou Wisdom from on high, and order all things far and nigh. We used to start every Advent service at my former church with that hymn, the a cappella notes soaring up into the high-ceilinged sanctuary, setting the tone for the time of year when we watch for the light as the world grows dark.

I am where I often find myself in mid-December: slowly tiptoeing into the season, putting up my two Christmas trees (one tiny, one medium-size) but waiting a few days to add ornaments to the branches. I am listening to quiet Christmas music (Kate Rusby, Nichole Nordeman, Sarah MacLachlan) and some brighter melodies (She & Him, Broadway carol renditions on Spotify). I am rehearsing twice a week in a dusty church sanctuary with a group of friends for a Christmas carol performance, and singing those pieces – some familiar, some new – to myself as I wash dishes or walk to work. This year, we are singing the Magnificat (my idea), and those familiar lines weave in and over and around these days that feel both twinkly and edged with deep dark.

Here we are, I say every year in mid-December, mid-Advent: aching and tired and desperate for hope, working hard to make magic and grab hold of joy and balance our daily lives with the special moments of the season. Here we are, still mid-pandemic, still treading carefully but yearning to celebrate, still waiting for Emmanuel to come. Here we are, praying God will be with us, stubbornly nurturing that flame of hope amid wars and rumors of wars, disease and pain. Here we are: weary, anxious, but alive. I want to stay awake, alert to those flickers of hope, attuned to those whispers of joy.

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This year, it seemed that fully half my friends (at least, the ones who post on Instagram) hauled their Christmas decorations out in early November. I couldn’t fault them for it: as my sister and others have said, 2020 needs all the joy it can get. My mom famously decorates early every year (my parents have three Christmas trees), but everyone else seemed to jump on that bandwagon this year. It made a lot of sense to me, but I just was not ready to put up my own decorations.

Decorating the tree is one of my favorite Christmas traditions: I am one of those people who loves tons of (small, white) lights, and for whom nearly every ornament has a story. But since my divorce, that ritual is a bit fraught. Last year, I had my friend Lauryn come over and help me decorate, and this year, I asked my guy to help me do it.

We hauled my little tree and assorted decorations out of the basement on a Saturday night, and assembled it on the fireplace. I strung the lights that night (he provided moral support and Christmas music), and we waited another week to do the ornaments. I sort of like the look with just the lights, and it felt like a small acknowledgment of Advent: waiting, letting the process take its time.

Last weekend, we unwrapped a few cherished ornaments (plus two new ones I bought at Albertine Press), and hung them on the tree. And we also bought stockings at Target, and hung them on the snowflake hangers I’ve had for years. Old alongside new.

I can’t erase the memories of Christmases past, nor do I entirely want to. But we are moving forward, and I’m so pleased with the effect. It’s cozy and twinkly, and since I’m home all the time these days, I get plenty of chances to enjoy it.

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As a lover of Christmas (and twinkle lights), I have a soft spot for December. It usually feels both hectic and peaceful: holiday celebrations and travel prep and last-minute gifts alongside the hush of quiet evenings and diamond-bright, blue-sky mornings.

This year, of course, December feels different: I’m not packing for Texas, not finishing up a semester of full-time work, not going to Advent services or planning to sing carols in church on Christmas Eve. I am trying to wrap my head around a low-key, cozy, local Christmas. But I am still observing a few tiny rituals of the season, and I thought I’d share them with you. They include:

Stringing twinkle lights on a Christmas tree – I put mine up last weekend, well behind the pandemic-inspired holiday rush but with plenty of time to enjoy it before Christmas.

Lighting the good candles, as often as I want.

Pulling out a few cherished mementoes, like the metal mailbox with a little moose on it and the words “Merry Kiss Moose” in red letters. And the coat-hanger tree I’ve had since junior high, which still – miraculously – works, at least for now.

Listening to The Holiday soundtrack while I clean or cook or write. And watching the movie itself, which is a perennial fave.

Addressing Christmas cards and wondering whether I need to buy more stamps. (Related: texting friends to ask for snail-mail addresses.)

Pulling out my now-worn Advent book and flipping to my favorite essays.

Seeing those plush reindeer antlers and noses on cars around town, which always make me smile.

Revisiting Shepherds Abiding, a tale of Mitford at Christmastime that charms me and chokes me up every. single. year.

Searching out stocking stuffers (this time, for my guy).

Looking up at birds’ nests in bare tree branches.

Snapping photos of holiday decorations around town.

Humming the carols I love, and pulling out a few favorite albums: Sarah McLachlan’s Wintersong, James Taylor’s At Christmas, the Charlie Brown Christmas soundtrack.

Following along with Ali Edwards’ December Daily stories, even though I’m not making a scrapbook myself.

Pulling out the fleece-lined tights and handknit accessories.

Remembering Christmases past: red felt stockings on the mantel at Mimi’s, candles in the sanctuary at my parents’ church, the words of Luke 2 from Mom’s worn old Bible, Christmas-morning shenanigans with my nephews.

What are your tiny December rituals?

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Last year, one of the joys of December in Eastie was participating in a local Christmas carol choir, spearheaded by my friend Peter and often hosted by him and his wife, Giordana. (That’s their dining room table, above, complete with pencils for marking and herbal tea for scratchy throats.)

We are all keeping our distance this year, of course, but I think Peter (and some of us) could not bear to do nothing, so we’re cobbling together a pandemic-safe carol service. We’re holding rehearsals on Zoom and planning to record ourselves singing the individual parts, to be mixed together and then released as a full (amateur) recording.

I thought it might feel sad, or inadequate: like so many things, this practice is a shadow of what it was pre-pandemic. We can’t gather in anyone’s living room, or sing together in real time; instead, we all mute ourselves and sing along with recordings on YouTube, sharing the sheet music on our computer screens (with lots of attendant technical glitches).

It is messy and imperfect and sometimes hilarious, and the recordings are hit or miss, frankly. But it’s still nourishing to see everyone’s faces, and wave hello and sing together, even if it doesn’t look at all “normal.” I am learning a few songs I didn’t know, and revisiting cherished favorites, like “In the Bleak Midwinter” and “It Came Upon a Midnight Clear” and “O Holy Night.”

These songs have layers of associations for me, long years of singing them with family or friends or church communities, all the way up to Christmas Eve. For me, the music and the community are both vital to marking the season. So despite the tech issues and the funky recordings and the wish that we could all be together, these rehearsals – virtual though they may be – are a real source of light and warmth and laughter.

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ornaments light book

Hello, friends. Here we are in December, and like every other month in this strange year, it’s going to be a weird one. For the first time in my life, I will not be in Texas for Christmas; I will (still) be hunkering down here in Boston, drinking tea and doing freelance work and spending time with the few folks I am safely seeing. It’s the right decision, but it feels strange and sad, as you might expect.

I struggle with the short, dark days every year (hence my light box, Vitamin D pills and plenty of twinkle lights). This year, I am making an extra effort to look for the light, so every weekday this month, I’ll be sharing one of the ways in which I’m finding joy and comfort these days. The first one is hinted at above: the traditions of the season are bringing light, even though they look different this year.

Every year since I was a high school senior, I have pulled out my copy of Watch for the Light to revisit the poetry, theology and wisdom in its pages. I found it on an endcap at the National Cathedral gift shop, and it sparked a love of Advent that runs deep, nearly 20 years later. I have complicated feelings about church these days (and I’m not going to any in-person services this year), but I love the way Advent explores darkness and hope, longing and anticipation. Feels especially apt this year.

I’m observing a few more of my own traditions: listening to Christmas music, decking my halls, shopping for gifts (which will mostly be shipped, this year), and remembering Christmases past. Some of those associations are bittersweet: they involve faraway friends, my former church, family I won’t see this year, the life my ex-husband and I used to have. But they are there, inescapable, so I might as well acknowledge their presence. And there’s a lot of sweetness to remember, too.

I hope you’ll join me this month in looking for the light, and sharing yours, if you’re so inclined. xo

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It is a truth universally acknowledged that December in the Northeast (and at many latitudes) is dark.

We are here: two weeks from the solstice, at the beginning of winter, digging out from our first real snowstorm of the season. We’ve had some grey days, too, making natural light even harder to find. And, of course, this season comes with particular emotional challenges, for me and for a lot of folks I know.

I’m not going all out on the decor this year: for one thing, too much glitz and glitter would overwhelm my studio apartment. For another, it feels truer to look for, or create, some pinpricks of light here and there. The twinkly effect of the tree candleholders on my mantel, or my tiny Christmas tree made from coat hangers, garland and colored lights, feels gentler and more real than anything big or bright or flashy.  (It also – and this is no coincidence – feels more like Advent, the season we are in, and my favorite part of the church year.)

This week, my friend Lauryn came over to help me put up the little tree I’ve had since I lived alone as a recent college grad, and have carted around to every house since. We strung lights and listened to Christmas carols, and I pulled out a couple dozen favorite ornaments. The tree is shining softly on the fireplace, where it lights up the whole living area.

tree-fireplace-books

I’m enjoying twinkle lights around town, too: in shop windows, on bare-branched trees, in my neighbors’ living rooms, shining through the curtains. The light shines in the darkness, and it feels hopeful and cheery and brave.

Where are you finding light in this season? Please share, if you like.

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birch bark reindeer

On Monday morning, I dropped off a thick stack of Christmas cards at the post office.

The hubs and I sat at the kitchen table the night before, listening to Christmas music, surrounded by sticky labels and the ever-changing list I print off and then mark up every year. We both reached for our phones several times to text friends for new addresses. As I said to Jaclyn, the act of virtually asking for a physical address seems to capture December in the modern world. (That might go double for Jaclyn herself: we met online, have exchanged many snail-mail letters and even met in person a few times, and are mostly keeping up via text and blogs these days.)

I only write down many of these addresses once or twice a year: my aunt and grandparents near San Antonio, my housemates from grad school in England. A cluster of houses in southwest Missouri, where my dad grew up and his family (by blood and by choice) still lives.

Some of these folks I don’t talk to all that often, and haven’t seen for years. But their addresses, and the physical act of writing them by hand, are in there. And sending Christmas cards – choosing a photo, scrambling to update the list, finding an hour to scribble notes on the back of each card to our loved ones – is one of the small but important rituals of the season.

Christmas tree snoopy

Last week, on a rare weeknight at home together, we watched The Muppet Christmas Carol over bowls of spicy carrot-ginger soup, delighting in the songs and silliness and cracking up at the asides by Rizzo and Gonzo. This weekend, we ordered takeout from our favorite Indian place and watched White Christmas. I giggled at Danny Kaye’s facial expressions, marveled at Vera-Ellen’s footwork, and welled up when the General walked down the stairs in his uniform. (Every year.)

So much (I keep saying) has changed in the last few years: my job(s), our address(es), the way we navigate so much of our daily lives. This year, Advent has felt hard and different; I’ve missed some of my usual traditions, like the church Christmas pageant and the a cappella notes of O Come O Come Emmanuel.

But some of the season’s tiny rituals remain the same. J has hung the felt mistletoe ball in the doorway between the dining and living room. The words in my Advent book are still there, sustaining and comforting and sometimes shaking me awake, as I page through them before bed. The cyclamen and poinsettias at my florist are vivid and glorious. The shop windows all over town are sparkly and festive. I’m fighting (hopefully defeating) my annual December cold, and laughing at my sister’s photos of her Elf on the Shelf, Oliver, and his antics.

poinsettias brattle square florist red flowers Cambridge

We are making travel plans, packing, doing laundry, finishing up the Christmas shopping. I am humming the familiar carols, and singing them with others, when I can. (We spent Sunday morning at a lessons and carols service that fed my soul and made my heart sing.) We bought (more) wrapping paper and Scotch tape this weekend, and the tiny coat-hanger tree I’ve had for twenty years is sparkling away on top of the microwave.

Some of our neighbors have set electric candles in their windows, and the sight warms me when I glance outside after dark. Before I go to bed, I pause in the kitchen to glance out the window at the quiet street, then in the living room to take in the glow of the Christmas tree before unplugging it for the night. So much of each day feels hurried and hectic, but just for a moment each night, there is peace.

Advent is about the waiting, the longing, the gaps between what ought to be and what has not yet come. We are waiting, we are hurting, we are tiptoeing toward Christmas. And while we wait, I am savoring every bit of joy.

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