
We reach a point every December where I wake up with carols in my head: ribbons of lyrics old and new, lines I’ve known since I was a little girl and lines I’ve learned only in the last few years. They wind and stretch and run through my days, an undercurrent of magic and anticipation, a soundtrack to this time of year I have always loved.
This year, for the fourth time, I’ve been singing with friends in a local carol choir: a handful of us holding black and white binders, filled with songs we already knew (The First Noel, Silent Night) and unfamiliar tunes (Dadme Albricias, O Jesulein Suss, Break Forth O Beauteous Heavenly Light). Just to keep it interesting, Peter always throws in a remix or two of carols we think we know – this year it’s The Holly and The Ivy, with syncopation where we didn’t expect it, and a slightly different version of Ding Dong Merrily on High (still with those Glorias).
There is much laughter, and a lot of wrong notes, and at least a moment or two where we all despair of ever getting it right. But every year, a couple of weeks before our performance, it somehow starts to come together. The phrases begin to make sense, and the chords coalesce into something beautiful. It starts to sound less like we’re stumbling our way through, and for a moment – as my choral director used to say – we actually make music together.
The Christmas music is coming in from all sides, these days. There are Spotify mixes on my morning runs or mellow evenings with my partner, and carols by our Sprouts at ZUMIX, and blaring pop renditions in every store or business I walk into. It’s impossible to escape it – but mostly I am happy to soak it in.
I also wake up, some mornings, with the songs of Christmas past: the youth choir singing verse after verse of Do You Hear What I Hear, led ably by George, our beloved music minister. My dad’s friends Buddy and Clay, singing O Holy Night in a church sanctuary in Dallas, thirty years ago. The Magnificat and other a cappella carols at Brookline and at Highland, those churches that were both once mine. And so many memories of Christmas Eve services with my parents, filled with classics like O Come All Ye Faithful and Silent Night.
Last night, my guy and I went to the Harvard carol service, arriving – to our surprise – during the season’s first snow. We sat in a dark wooden pew in the chapel where I used to go to Morning Prayers, and sang our hearts out: Adeste Fideles and Lo, How a Rose; Hark the Herald and Angels We Have Heard on High. It felt nourishing to be there, among poinsettias and candlelight, to wave at a few Harvard friends and see new faces in the pews. To hear again the words that have framed this season all my life: for unto you is born this day in the city of David a Savior. My soul magnifies the Lord. You will find the babe wrapped in swaddling clothes. Glory to God in the highest.
The music of the season is indelible for me; it expresses the wonder and joy through familiar melodies and the lyrics I have loved all my life. I’m grateful – through so much loss and change – that the songs have endured, and that I get to sing them in community, and take my annual turn at trilling the Glorias. This season is full of bustle and swing, but it also calls us back to awe and wonder, and these songs help steady me as I prepare to celebrate.