
Earlier this summer, one of my dear friends moved away (sniff), and we made a serious effort to soak up some time together before she left town. One afternoon in late June, she texted with a question: would I like to join her and her daughter at the Isabella Stewart Gardner Museum that week? Of course, the answer was yes.
The Gardner is one of my favorite semi-hidden Boston gems; it’s tucked away in the Fenway neighborhood, built around a central courtyard that’s full of lush plantings year-round. Mrs. Gardner, as the docents still call her, was an avid collector of art, furniture and curiosities, from around the world. Her acquisitions are still arranged just as she specified – in multilayered, sometimes overwhelming splendor – at the mansion/museum she called Fenway Court.
The first few times I went to the Gardner, I was overwhelmed by the sheer volume of art: there are thousands of objects, including paintings, textiles, furniture, dishes, sculptures, sketches, letters, tapestries and who knows what else. It took me a while to realize the goal isn’t to see or learn about everything: it’s to walk through and experience the total effect, the layers of history and different origin stories and artistic styles, all brought together by one woman’s passion for collecting. These days, I wander through, pausing when a piece catches my eye, but less focused on the details than on the whole.
This time was different, for several reasons: first, we enjoyed a snack at the cafe before our museum tour. I’d never been to the (relatively) new Cafe G before, but I have to say, the citrus pound cake was delicious (and felt fancy).
The three of us wandered around, starting at the top floor of the museum (for something different) and winding our way back down to the ground floor. I loved being there with 12-year-old Lucy, who noticed things I’d never have picked up on, and asked excellent questions (my favorite: “What would you want to ask Isabella, if you could?”).
In light of the current conversations around artistic objects, their provenance, and the recent encouraging trend of museums considering returning stolen objects, I also wondered about the collection at the Gardner. Where did all these objects come from? Who brought them to Isabella? Were they given freely (in exchange for money, of course) or stolen from their original homes? What happened to the people, buildings and communities who created them? I never used to consider these questions when I visited museums, but I am thinking about so many things differently now. (I am also, as ever, curious about the heist in 1990, which has never yet been solved.)
Every time I go to the Gardner, I find myself drawn to the windows in every room, gazing out onto the courtyard, which I find both restful and beautiful. (I’ve never seen the famous nasturtium plantings there, but it’s on my list for this winter.) Mostly, I was grateful to share a lovely afternoon with two women I love, in a place we all enjoy.
What local adventures are you having, these days?