This week, I’ve been reading Table for Two, Amor Towles’ new collection of short fiction. (He’s an elegant writer, though so far I prefer his novels, especially Rules of Civility.) Every time I glance at the book cover, though, my mind re-registers the title and then goes somewhere completely different: an old George Strait tune from an early nineties album, which begins, “At a table for two / With candlelight and wine…”
It is, of course, not the first – and I’m sure not the last – earworm occasioned by a book.
Some of them are inevitable, the book’s title chosen deliberately to evoke a certain song: Let the Circle Be Unbroken. How to Save a Life. Dream When You’re Feeling Blue. In the Bleak Midwinter (or, really, all of Julia Spencer-Fleming’s wonderful series featuring Clare Fergusson and Russ Van Alstyne). Some titles are about music, invoking handfuls of titles within their pages, like Marissa R. Moss’s brilliant Her Country (pictured above), Matt Hay’s memoir The Soundtrack of Silence, or Jack Viertel’s highly entertaining The Secret Life of the American Musical.
But some earworms are unique to me, matching my musical fingerprint to the books I come across. For example, Nicola Yoon’s Instructions for Dancing always evokes “The Book of Love” by the Magnetic Fields. David Whyte’s Consolations had me humming “Come, Thou Long-Expected Jesus” (“Israel’s strength and consolation…”) Kathrine Switzer’s memoir, Marathon Woman, sometimes puts me in mind of “American Woman.” And Sarah Smarsh’s Heartland, perhaps fittingly, takes me right back to George Strait: “When you hear twin fiddles and a steel guitar…”
Does this happen to anyone else? I’m curious – am I the only one, or do you also sometimes find a book title puts a song in your head that you can’t shake? Please share, if you’re so inclined – then we can all spend days humming those random tunes!